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Beauty is the sole legitimate province of the poem.-Edgar Allan Poe

Poetry is when emotion has found its thought and thought has found words--Robert Frost

Poetry is an echo, asking a shadow to dance--Carl Sandburg

I have nothing to say, I am saying it, and that is poetry--John Cage

You will find poetry nowhere unless you bring some of it with you--Joseph Joubert

Poetry is what in a poem makes you laugh, cry, prickle, be silent, makes your toe nails twinkle, makes you want to do this or that or nothing, makes you know that you are alone in the unknown world, that your bliss and suffering is forever shared and forever all your own. ~Dylan Thomas

joybragi84

The Last of a Few More Words: The Joy of Shadows

On the back cover of The Joy of Shadows, I wrote that the book is a continuation of The Mercy Killing. That claim is not very fair to either book. The Joy of Shadows is a collection of fragments left over from The Mercy Killing that I finished at some point and thought, “Wow! I have a hundred pages of poetry here.” The attempted poems also have very little relationship and do not find their inspirations in Neoclassicism.

The Joy of Shadows is still a book of parodies and mimicries as The Mercy Killing was, but its inspirations are Poe, John Ashbery, Matthew Arnold, Yeats, Dylan Thomas…well, I would have to read through to remember the others, but it is not infused with ideas from Alexander Pope though the prose essay introductions are satirical enough I suppose.

The Joys of Shadows contains only one poem that I have rewritten and reworked. That poem is Emma Jean. The new version is so much better that the two are hardly comparable. It is very interesting to me how in snippets of poems, I found the “voice” or the natural poetic rhythm that will now allow me to create a poem like the following one, pretty much at one sitting. It is like I was discovering my breath. Here’s the poem I am talking as a current representative of my realizing my flow:

An Oak Leaf Fell

(Where there’s No Will)


In sloughing wind, the oak leaf fell,

The chill air barely braked its fall,

It ticked on every stick it hit,

Its falling meant nothing at all.


Its falling meant nothing at all

Nor would it mean more had it hung,

Dead notion on a living limb,

A lost thought on a voiceless tongue.


A lost thought on a voiceless tongue,

A breathless sigh, a tacit word,

Its purpose served, will set it free

As if its use had not occurred.


As if its use had not occurred,

Nor ever shined in gold nor green,

Nor ever glowed yellow nor red,

Nor beauty in its form was seen.


Nor beauty in its form was seen

Nor elegance in verdant style.

In sloughing wind, the oak leaf fell

And decomposes in a pile.

The snippet in The Joy of Shadows that reminded me of this was (I am having to type this.)

Inside his hive, did Honey Bee

Make his magic liquor for me,

Where drips the sugar swollen sweat

Through caves of woven paper net

Down to a molten sea.


Ah! There is a pretty decent imitation of the beginning of the poetic fragment Kubla Kahn. I just now noticed that.

Anyhow, as I always say. The Joy of Shadows, to my knowledge, is available through all of the major online booksellers. I will be glad to loan, share, or sell copies to you if you get it touch with me. I have few sitting around. If you would like some bookmarks, I have a few made up that I can give to you. If I run out, I will make more.

That covers all three of my current books. I guess that, now, I can move on to other discussions.


Comments


I find that I cannot exist without Poetry--without eternal poetry--half the day will not do--the whole of it--I began with a little, but habit has made me a Leviathan.-John Keats

We do not quite say that the new is more valuable because it fits in; but its fitting in is a test of its value.-T. S. Eliot

A man may praise and praise, but no one recollects but that which pleases.-George Gordon, Lord Byron

The great beauty of poetry is that it makes everything in every place interesting.-John Keats

Our faulty elder poets sacrificed the passion and passionate flow of poetry to the subtleties of intellect and to the stars of wit; the moderns to the glare and glitter of a perpetual, yet broken and heterogeneous imagery, or rather to an amphibious something, made up, half of image, and half of abstract meaning. The one sacrificed the heart to the head; the other both heart and head to point and drapery.-S. T. Coleridge

The purpose of rhythm, it has always seemed to me, is to prolong the moment of contemplation, the moment when we are both asleep and awake, which is the one moment of creation.-W. B. Yeats

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