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Beauty is the sole legitimate province of the poem.-Edgar Allan Poe

Poetry is when emotion has found its thought and thought has found words--Robert Frost

Poetry is an echo, asking a shadow to dance--Carl Sandburg

I have nothing to say, I am saying it, and that is poetry--John Cage

You will find poetry nowhere unless you bring some of it with you--Joseph Joubert

Poetry is what in a poem makes you laugh, cry, prickle, be silent, makes your toe nails twinkle, makes you want to do this or that or nothing, makes you know that you are alone in the unknown world, that your bliss and suffering is forever shared and forever all your own. ~Dylan Thomas

Missed a Week, So How About Three Poems?


Google Gemini generated sketch of blue jay and mockingbird in my cherry tree
Google Gemini generated sketch of blue jay and mockingbird in my cherry tree

Yeah, I am sorry. I skipped posting a blog last week. It was Mother's day, and we had children here. We grilled, ate lunch, and played games all afternoon. We used our new pickleball net at the tennis courts for the first time. That was exciting. That is my excuse for not posting a blog last week. I will make up for it today with not two but three new poems.


In Walk with Words news--I got the second proof in the mail a week and a half ago. I found four more typos and punctuation errors, one on the back cover. Kellie found a lot of consistency errors in the Crow Brothers poems because with some -ing ending words, I chopped the "g" like "messin'," but in other places I wrote "seeing" or "spacing." Since I had to do another proof anyway, I went ahead and fixed those issues. Another proof is on the way. Keep holdin' on--or should I write "holding?"


I have also been doing a lot of reviewing and revising on the next Dewey Lynn book. Some of my more avid readers may remember Aunt Charlotte's Crib from the blog a few years ago. Well, I think that in a month or two, I may have another novelette ready to go with that story. It has changed a lot, so even if you read it when I posted it, you will be reading a whole different story.


I don't like writing prose much, and I've finally figured out why. Poems invite revision. Every time I read one of my poems on the computer, I revise in some manner or the other, usually a simply word change, and when I make that revision, I immediately recognize the effect it has. I can see whether it has made the poem better or worse and easily adjust accordingly. Prose is not that way. Every time, I read a chapter I revise words, sentences, and paragraphs. I tend to add passages. Then, I read the whole book again, and I often think, "Why the hell did I add that?" Then, it has to come out. But again, I don't see the effect of it until I read the whole book again, not just that part of the chapter. The only way I could ever write a full length novel would be by sticking a bunch of shorter narratives together. I am a constant reviser and prose does not invite continuous revision.


Anyhow, here are the three brand-spanking new poems in no particular order. ENJOY!


No Pie at All

 

Last year, my tree was full of fruit.

My pie was not too small,

But this year, it’s plainly clear

I’ll get no pie at all.

 

The cherry tree was full of blooms,

Its limbs as white as snow.

I swear that on a sunny day

You’d see the cherries grow.

 

Each limb was sagging with the weight

Of cherries hinting red.

Dreams of steaming cherry pies

Were drifting through my head.

 

The fruit was swelling, big and fat,

Some cherries nearly burst,

But mockingbirds and jays can fly,

And they got to them first.

 

Unlike an inoffensive finch

Who takes a tiny nibble,

The mockingbird and blue jay leave

Barely enough to quibble.

 

So, now, I stand beneath my tree

And look at empty stems

Though it is hale and hearty and

Has leaves on all its limbs.

 

I guess that I’ll forgive the birds

For stealing my great haul,

But for this year, it’s plainly clear

I’ll get no pie at all.


Before It Hits the Ground

 

No more roses, no more roses!

The stems bend to the ground.

The mockingbird supposes

Her nest will be knocked down.

 

Each mocking-nestling waits there

With its clownish old man frown.

Best watch for mom unmoving

And then eat without a sound.

Your nest is in the open

And is easy to be found.

 

I’d like to see you fly away

‘Cause danger’s all around,

A garter snake, a one-eyed tom,

A loping puppy hound.

 

I know your mom is worried.

She flits frantically around.

The rose blooms are so heavy

That they’ve pulled the hedging down.

I hope you will be flying soon

Before it hits the ground.


Not One Was a Crow Brother

 

I saw a batch of crows today,

None of them together.

They were not of a common flock

Though all were black of feather.

 

One pecked the dew from soggy weeds,

One perched high on a wire,

One quarreled with a mockingbird

Who never seemed to tire.

 

One landed on Knob Hill and cawed,

His voice a dusty croak,

Beside a pile of burning leaves.

He shimmered in the smoke.

 

There might have been a dozen crows,

Or it might have been the same.

Any man with good sense knows

He’ll never get its name.

 

It’s hard to figure out a crow

Or tell one from another,

But here’s one thing I surely know

Not one was a Crow Brother.

 
 
 

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Comments


I find that I cannot exist without Poetry--without eternal poetry--half the day will not do--the whole of it--I began with a little, but habit has made me a Leviathan.-John Keats

We do not quite say that the new is more valuable because it fits in; but its fitting in is a test of its value.-T. S. Eliot

A man may praise and praise, but no one recollects but that which pleases.-George Gordon, Lord Byron

The great beauty of poetry is that it makes everything in every place interesting.-John Keats

Our faulty elder poets sacrificed the passion and passionate flow of poetry to the subtleties of intellect and to the stars of wit; the moderns to the glare and glitter of a perpetual, yet broken and heterogeneous imagery, or rather to an amphibious something, made up, half of image, and half of abstract meaning. The one sacrificed the heart to the head; the other both heart and head to point and drapery.-S. T. Coleridge

The purpose of rhythm, it has always seemed to me, is to prolong the moment of contemplation, the moment when we are both asleep and awake, which is the one moment of creation.-W. B. Yeats

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